The Goddess Sophia and Her Soul-Mates


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The seven planetary spheres or heavens were for the ancients the highest regions of the created universe. They were thought of as seven circles rising one above another, and dominated by the seven Archons. These constituted the Gnostic Hebdomad. Above the highest of them, and over-vaulting it, was the Ogdoad , the sphere of immutability, which was nigh to the spiritual world Clemens Alexandrinus , Stromata , iv. Now we read in Proverbs :.

Sophia (Gnosticism) - Wikipedia

These seven pillars being interpreted as the planetary heavens, the habitation of the Sophia herself was placed above the Hebdomad in the Ogdoad Excerpt. It is said further of the same divine wisdom Proverbs :. This meant, according to the Gnostic interpretation, that the Sophia has her dwelling-place "on the heights" above the created universe, in the place of the midst, between the upper and lower world, between the Pleroma and the ektismena.

She sits at "the gates of the mighty," i. The Sophia is therefore the highest ruler over the visible universe, and at the same time the mediatrix between the upper and the lower realms. She shapes this mundane universe after the heavenly prototypes, and forms the seven star-circles with their Archons under whose dominion are placed, according to the astrological conceptions of antiquity, the fates of all earthly things, and more especially of man.

She is "the mother" or "the mother of the living. But inasmuch as the light brought down into the darkness of this lower world was thought of and described as involved in suffering, this suffering must be regarded as a punishment. This inference was further aided by the Platonic notion of a spiritual fall. Alienated through their own fault from their heavenly home, souls have sunk down into this lower world without utterly losing the remembrance of their former state, and filled with longing for their lost inheritance, these fallen souls are still striving upwards.

In this way the mythos of the fall of Sophia can be regarded as having a typical significance. The fate of the "mother" was regarded as the prototype of what is repeated in the history of all individual souls, which, being of a heavenly pneumatic origin, have fallen from the upper world of light their home, and come under the sway of evil powers, from whom they must endure a long series of sufferings until a return into the upper world be once more vouchsafed them.

But whereas, according to the Platonic philosophy, fallen souls still retain a remembrance of their lost home, this notion was preserved in another form in Gnostic circles. It was taught that the souls of the Pneumatici, having lost the remembrance of their heavenly derivation, required to become once more partakers of Gnosis, or knowledge of their own pneumatic essence, in order to make a return to the realm of light.

In the impartation of this Gnosis consists the redemption brought and vouchsafed by Christ to pneumatic souls. But the various fortunes of such souls were wont to be contemplated in those of Sophia, and so it was taught that the Sophia also needed the redemption wrought by Christ, by whom she is delivered from her agnoia and her pathe , and will, at the end of the world's development, be again brought back to her long lost home, the Upper Pleroma, into which this mother will find an entrance along with all pneumatic souls her children, and there, in the heavenly bridal chamber, celebrate the marriage feast of eternity.

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The Sophia mythos has in the various Gnostic systems undergone great variety of treatment. The oldest, the Syrian Gnosis, referred to the Sophia the formation of the lower world and the production of its rulers the Archons; and along with this they also ascribed to her the preservation and propagation of the spiritual seed. Under her are the four material elements—water, darkness, abyss, and chaos. With her, combine themselves into two supreme masculine lights, the first and the second man, the Father and the Son, the latter being also designated as the Father's ennoia.

From their union proceeds the third imperishable light, the third man, Christ. But unable to support the abounding fullness of this light, the mother in giving birth to Christ, suffers a portion of this light to overflow on the left side. While, then, Christ as dexios He of the right hand mounts upward with his mother into the imperishable Aeon, that other light which has overflowed on the left hand, sinks down into the lower world, and there produces matter.

Divine Masculine and Divine Feminine in Twin Flame Relationships

And this is the Sophia, called also Aristera she of the left hand , Prouneikos and the male-female. There is here, as yet, no thought of a fall, properly so called, as in the Valentinian system. The power which has thus overflowed leftwards, makes a voluntary descent into the lower waters, confiding in its possession of the spark of true light.

She compasses about, and is laden with material every kind of weight and substance, so that, but for the essential spark of light, she would be sunk and lost in the material. Bound to the body which she has assumed and weighed down thereby, she seeks in vain to make her escape from the lower waters, and hasten upwards to rejoin her heavenly mother. Not succeeding in this endeavour, she seeks to preserve, at least, her light-spark from being injured by the lower elements, raises herself by its power to the realm of the upper region, and there spreading herself out she forms out of her own bodily part, the dividing wall of the visible firmament, but still retains the aquatilis corporis typus.

Finally seized with a longing for the higher light, she finds, at length, in herself, the power to raise herself even above the heaven of her own forming, and to fully lay aside her corporeity. The body thus abandoned is called "Woman from Woman.

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The narrative proceeds to tell of the formation of the seven Archons by Sophia herself, of the creation of man, which "the mother" i. In this system the original cosmogonic significance of the Sophia still stands in the foreground.

The Sophia herself is but a reflex of the "Mother of all living" and is therefore also called "Mother. In the Gnostic system described by Irenaeus I. The name Prunikos is also given to Sophia in the account of the kindred Barbeliot system, given in the preceding chapter of Irenaeus. Celsus , who shows that he had met with some Ophite work, exhibits acquaintance with the name Prunikos Orig.

That this Ophite name had really been adopted by the Valentinians is evidenced by its occurrence in a Valentinian fragment preserved by Epiphanius Epiph. Epiphanius also introduces Prunikos as a technical word in the system of the Simonians Epiph. Neither Irenaeus nor Origen indicates that he knew anything as to the meaning of this word; and we have no better information on this subject than a conjecture of Epiphanius Epiph.

One feels some hesitation in accepting this explanation. Epiphanius was deeply persuaded of the filthiness of Gnostic morals, and habitually put the worst interpretation on their language. If the phrase reported by Epiphanius had been common, it is strange that instances of its use should not have been quoted from the Greek comic writers. It need not be denied that Epiphanius had heard the phrase employed, but innocent words come to be used in an obscene sense, as well by those who think double entendre witty, as by those who modestly avoid the use of plainer language.

The primary meaning of the word prouneikos seems to be a porter, or bearer of burdens, the derivation being from enenkein , the only derivation indeed that the word seems to admit of. Then, modifying its meaning like the word agoraios , it came to be used in the sense of a turbulent violent person. The only distinct confirmation of the explanation of Epiphanius is that Hesychius s. This would be decisive, if we could be sure that these words were earlier in date than Epiphanius. In favour of the explanation of Epiphanius is the fact, that in the Gnostic cosmogonical myths, the imagery of sexual passion is constantly introduced.

However, in the Exegesis on the Soul text found at Nag Hammadi, the soul is likened to a woman which fell from perfection into prostitution, and that the Father will elevate her again to her original perfect state. So Epiphanius reports the following cosmogony as that of a branch of the Nicolaitans:. The Sethians Hippolytus. These cosmogonic theories have their precedent in the Thalatth or Tiamat of Syrian mythology, the life-mother of whom Berossus has so much to relate, or in the world-egg out of which when cloven asunder heaven and earth and all things proceed.

Like to this legend of the Philosophumena concerning the Baruch-Gnosis is that which is related by Epiphanius of an Ophite Party that they fabled that a Serpent from the Upper World had had sexual intercourse with the Earth as with a woman Epiphanius, Haer. Very nigh related to the doctrines of the Gnostics in Irenaeus are the views of the so-called Barbeliotae Iren. The name Barbelo , which according to one interpretation is a designation of the upper Tetrad , has originally nothing to do with the Sophia. This latter Being called also Spiritus Sanctus and Prunikos is the offspring of the first angel who stands at the side of the Monogenes.

Sophia seeing that all the rest have each its syzygos within the Pleroma, desires also to find such a consort for herself; and not finding one in the upper world she looks down into the lower regions and being still unsatisfied there she descends at length against the will of the Father into the deep. This Being, by virtue of pneumatic powers stolen from his mother, proceeds to form the lower world. The mother, on the other hand, flees away into the upper regions and makes her dwelling there in the Ogdoad. We meet this Sophia also among the Ophiana whose " Diagram " is described by Celsus and Origen , as well as among various Gnostic Ophite parties mentioned by Epiphanius.

She is there called Sophia or Prunikos, the upper mother and upper power, and sits enthroned above the Hebdomad the seven Planetary Heavens in the Ogdoad Origen, Against Celsus. She is also occasionally called Parthenos Orig. Having sunk down from the highest heavens into the lowest regions, she creates angels and archangels, and these again create and rule the material universe.

Restrained and held down by the power of this lower world, she is hindered from returning to the kingdom of the Father. According to one representation she suffers all manner of insult from the angels and archangels bound and forced again and again into fresh earthly bodies, and compelled for centuries to wander in ever new corporeal forms. According to another account she is in herself incapable of suffering, but is sent into this lower world and undergoes perpetual transformation in order to excite by her beauty the angels and powers, to impel them to engage in perpetual strife, and so gradually to deprive them of their store of heavenly light.

The most frequent designation of the Simonian Ennoia is "the lost" or "the wandering sheep. So also the Homeric Helena , as the cause of quarrel between Greeks and Trojans , was regarded as a type of the Ennoia. The story which the fathers of the church handed down of the intercourse of Simon Magus with his consort Helena Iren. The most significant development of this Sophia mythos is found in the Valentinian system. The descent of the Sophia from the Pleroma is ascribed after Plato 's manner to a fall, and as the final cause of this fall a state of suffering is indicated which has penetrated into the Pleroma itself.

While Christus returns to the Pleroma, Sophia forms the Demiurge and this whole lower world out of the skia , a right and a left principle Iren.


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For her redemption comes down to Sophia either Christus himself Iren. The motive for the Sophia's fall was defined according to the Anatolian school to have lain therein, that by her desire to know what lay beyond the limits of the knowable she had brought herself into a state of ignorance and formlessness. Her suffering extends to the whole Pleroma. In the work of redemption the Soter comes down accompanied by the masculine angels who are to be the future syzygoi of the feminine souls of the Pneumatici, and introduces the Sophia along with these Pneumatici into the heavenly bridal chamber Exc.

The same view, essentially meets us in the accounts of Marcus , Iren. In these names some partial reminiscences of the old Ophitic Gnosis are retained.


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The end of the world's history is here also as above the introduction of the lower Sophia with all her pneumatic offspring into the Pleroma, and this intimately connected with the second descent of the Soter and his transient union with the psychical Christus; then follows the marriage-union of the Achamoth with the Soter and of the pneumatic souls with the angels Iren.

The same form of doctrine meets us also in Secundus, who is said to have been the first to have made the distinction of an upper and a lower Sophia Iren. It finds its interpretation in the fragments of Heracleon ap. The name Achamoth, on the other hand, is wanting both in Hippolytus and in Heracleon.

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One school among the Marcosians seems also to have taught a two-fold Sophia Iren. Cosmogonic myths play their part also in the doctrine of Bardesanes. Though much still remains dark as to the doctrine of Bardesanes we cannot nevertheless have any right to set simply aside the statements of Ephraim, who remains the oldest Syrian source for our knowledge of the doctrine of this Syrian Gnostic, and deserves therefore our chief attentions.

Bardesanes, according to Ephraim, is able also to tell of the wife or maiden who having sunk down from the Upper Paradise offers up prayers in her dereliction for help from above, and on being heard returns to the joys of the Upper Paradise Ephraim, Hymn These statements of Ephraim are further supplemented by the Acts of Thomas in which various hymns have been preserved which are either compositions of Bardesanes himself, or at any rate are productions of his school.

The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates The Goddess Sophia and Her Soul-Mates
The Goddess Sophia and Her Soul-Mates

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