Sefi, who has been involved with the royal collection since , first as deputy keeper, then as keeper from Jan. Part of the exhibition centers on the British postal reform, which opened affordable mail service to the common man. Maynard Sundman founded Littleton Stamp Company in Today, it employs more than people and provides friendly service to collectors nationwide. Mystic Stamp Company is one of the largest stamp companies in the U.
All rights reserved. Eustis Road, Littleton, NH Product Comparison. The maximum number of products that can be compared is 4. David Roth and Geoff Latta teach. Group shot after dinner at Chili's for those who hung around to midnight. The day was very enjoyable. If you love coin magic, the seminar is definitely time very well spent.
I think any coin magician of various levels of expertise beginner through expert would gain to take part in any future seminars that they may offer. Back to Contents. Curtis Kam's Palms of Steel volumes 2 and 3 are filmed at the same event. Over the remainder of and the first part of the idea is discussed on the forum and Curtis brings the idea to reality by teaming up with Danny Archer.
The idea became a reality as some of the worlds top coin magicians signed up for attendance. Most also attended LVMI, thus creating a very coin inundated environment for four days. Since this is an article about the Coinvention, I am only going to skip through LVMI simply pointing out some of the coin magic highlights….
On the first day of LVMI, Armando Lucero lectured primarily on card magic, however lecture ended with a performance of his much talked about matrix routine. That performance was the third time I have had the opportunity to see it, and it is still bar none the most beautiful multi-phase matrix routine I have ever witnessed. In Joe Givan's lecture, he had a wonderful coin routine that was based off of David Neighbors work with a coin rattle box, and a three coin hook gimmick. The combination of sound with the ability to obtain and ditch three coins with ease makes for some very interesting combinations of effect.
Also on the first day, a select few individuals were able to take part of an extra cost workshop with none other than the modern day master of coin magic, David Roth. The first night was also killer to witness Geoff Latta holding court out at the bar with his brand of technically superb coin magic. As well as routines that Geoff would lecture on, he was doing some copper silver work utilizing a deep back clip recovery that was blindingly fast.
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Armando Lucero performs Matrix. Geoff Latta and Curtis Kam sessioning at the bar. One guy I have to mention is Mickey Silver great name for coin magic. Mickey was out at the bar performing his "Human Slot Machine" which I have to admit is one of the most hilarious things I have ever seen with coins. He literally spills coins from his eyes, nose, mouth, ears, and rapid succession with coins clanging loudly against the table. It really sounds like a slot machine. He also would pass coins from one ear to another and into his mouth — it looked fabulous.
Many guys roared with laughter watching him perform this bit. The Human Slot Machine Mickey Silver. The Jam Session at PM which is an open session for attendees to perform was exclusive to coin magic performances. This was personally a very memorable moment for me because it was the first time I ever performed for a room of well versed magicians.
I performed a routine called "Molecular Spellbound" which is a two phase quadrouple spellbound routine. It was the first time I performed the routine in public. The day concluded with a lecture by Curtis Kam, where he taught a selection of coin routines spanning all three volumes of the Palms of Steel series "Coins in Silk", "Beijing Coins Across", and "Through and Through". The third day of LVMI was momentous. It marked the first public performance and lecture of Geoff Latta in decades.
The man performs incredible technical magic. Geoff lectured on some coin material that he would cover again at the Coinvention, as well as some his wonderful card magic. Below is a selection of photographs depicting some of the coin magic sessioning going on during LVMI prior to the Coinvention:. Chris Kenner performing "3 Fly". Michael Rubinstein entertains at the bar.
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Reed McClintock performs "Freedom Fly ". Bob Fitch performs coin magic. Dave Neighbors and John Born play with entirely too many coins.
Mac King and Bob Kohler. Michael Rubinstein strike a "coin pose". On the fourth day, the historic occasion started… The first ever Coinvention. The day started with an introduction by Curtis Kam who explained the origin of the idea that culminated into the event we were attending.
Curtis Kam introduces the Coinvention. Curtis Kam moderates the "Three Fly" forum. Chris Kenner talks about the history of "Three Fly". Jonathan's handling utilized back clipping in the receiving hand. Whenever back clip work is used, it limits the effect to a few people that are typically close enough so that you can reach out and touch them. Chris changed the structure of the routine so that it could play for a larger audience by bringing the receiving hand up to chest level as well. This was the birth of the "Fingertip Coins Across" effect that Chris would publish which eventually would become known as "Three Fly".
Chris Kenner also touched on a few specific bits of information regarding his handling. He said that spectators are much more aware then magicians often give them credit for. Early on it was very apparent to spectators that four coins are used to create the effect. Therefore, Chris devised a method to really vanish the last coin. The methodology employed has been held pretty tight by Chris and has been shrouded in mystery.
Chris said he never used the last vanish he published in his book which he stated was Geoff Latta's "French Pop" vanish when he performed the routine. The reason why he did not publish the real method is that it was very involved. He did not want to write the real method in his book because he knew the great majority of readers would not bother with the routine if they read what was needed.
He mentioned that he has read books that have routines that necessitate a ridiculous amount of extra preparation and unique objects, which would make him gloss over the effect and forget about it. He did not want to write a routine like that. A few other points Chris made were:. David Roth presents his views on "Three Fly". David Roth was the next panel member to speak. He made it clear that nothing is wrong with the effect, that he does not dislike it. He may learn a Three Fly routine in the future — it sounded like Bob Kohler's U3F set would be the first place he would start.
David also mentioned that coin magic crazes come and go. David stated that there is a time and place for everything; that when a routine is needed to be done standing for a larger group of people, the visible nature of bringing all the coins to chest level has advantages. He did point out that Three Fly lacks the element of suspense that traditional closed fist coins across routines have. He did not present this as a bad or good thing, just pointing out a fact. One is a T. Nelson Downs poster circa that shows Downs holding coins in a fan that has a caption "before the pass" and another picture showing Downs holding the coins in a fan with one coin in the other hand.
The caption on the second image states, "after the pass" indicating that Downs may have had a Three Fly type routine — however there is no way to know by which method Down's coin pass worked, he may have completely concealed all the coins during his pass and the pictures only depict the initial and final display. This may be the earliest piece to depict a Three Flyesque sequence. It was interesting discussing such things with David, but he made it clear that Chris Kenner really deserves the credit for making the version of the routine as we have all come to know it.
If Chris had not published his version, the effect would never have become as popular as it is today. Reed McClintock was the next up on the panel. Reed performed three versions of Three Fly for those in attendance and explained the rationale behind the versions. He performed a version with a shell coin that was his first personal handling.
Next he performed his "International 3 Fly" which uses a silver half dollar, copper British penny, and a brass Chinese coin with a hole in it. Finally, Kainoa Harbottle briefly touched on using Edge Grip for his Three Fly routine, but postponed the discussion and explanation of this technique for the next forum, "New Grips.click here
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Reed McClintock performs "Three Fly". David Neighbors performs "Three Fly". The first Coinvention lecturer was Dr. Michael Rubinstein. This lecture marked the first public performance and lecture from Mike in over a decade.
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Mike was not rusty at all, it was quite apparent that he kept his chops over his hiatus from magic. Mike started the lecture with a performance set consisting of a coin production, vanish, and reproduction sequence. A coins across, a stand up coins through the table, a spellbound routine, and finally a two coin transposition to a complete vanish.
After the performance Mike taught his matting technique which uses two close-up pads, one on top of the other; the matting technique is a way to secretly place a coin between the two close-up pads. When the move is executed properly, it simply looks like you tap a coin which lies on your open palm. You close your hand, when you re-open the coin is gone. Mike's teaching of "Standup Coins Through The Table II" also highlighted a teaching of the Purse Palm Concealment which is a method to show coins on your open palm while hiding one secretly. Usually concealments of this nature require a back palm or back clip, it is not so with this concealment.
Mike's Wave Change looks like he simply waves over the coin to cause it to change… a very pretty handling. Also taught was Mike's Spellbound changeover palm which is a great utility move to use within the sequence. Michael Rubinstein lectures. A half dollar is put into a penny coin wrapper.
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When the wrapper is handed out, to a spectator, it does not fit in the tube. Mike performed and taught the effect. Mike has a new Wild Coin routine with a purse called "The Merlini Purse Routine" which uses a coin purse that has a gold design on the bag. Dull copper coins change to gold every time he touches the coins to the purse. At the end all the coins are dull copper again.
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This routine features a nice Spellbound sequence similar to the coin transposition in Apollo Robbins' "Trinity" routine, as well as Mike's nail grip fingertip touch change. Mike taught his version of Three Fly called "Retro Fly" which was a combination of visible coins across with a closed fist for the arrival hand. The last routine performed and taught was a routine called "Magnetic Coins II" where two coins permanently stick together via static electricity, and then separate again after the static wears off.
After Mike Rubinstein's lecture and following a lunch break, the second forum of the day began covering "New Grips" for coin magic. David Roth started by explaining the history of Edge Grip. One of David's most famous applications is his "Hanging Coins" routine. In addition to how to get in and out of Edge Grip, David discussed the angle considerations for its use. Kainoa showed some of his applications of Edge Grip to the attendees.
David Roth talks about the history of Edge Grip. Kainoa Harbottle shows some of his new applications for Edge Grip. It is accepted having some marks from the hit when falling in the box of coins. BU, Brilliant uncirculated: the dies are slightly frosted all over, it gives a silky surface and the relief is nicer.
Proof coins: are special early samples of a coin issue, historically made for checking the dies and for archival purposes, but nowadays often struck in greater numbers specially for coin collectors numismatists. The relief is frosted and the table is polished. The frosted surface gives the best output of the artwork; the sculpted relief appears nice and clear. Production of proof coins and medals requires a high degree of accuracy, cleanliness and control. The striking takes place in virtually dust-free premises.
All handling of the blank and then finished coin happen with gloves. Each copy will be checked carefully so only the perfect coins come out on the market. We know that striking a relief from one metal to another is actually OK, but in that extent it depends on the type of metal, the thickness of the blank and the pressure. Struck coins are done with two dies; with negative relief , between these a blank piece of metal hit with high pressure.
Striking can be explained like a rolling outwards from center to the border. The object to be struck has a female curvature, so the center gives the highest relief, the maximum height of relief can be obtained within the central area, outside that the height must decrease to the lowest at the periphery. This curvature will be admitted by the mint. The artist deliveres a flat model. The border is the elevated final frame of the coin. The coin design should, as far as possible, be designed so the obverse and reverse fit against each other and fill the surface evenly.
Outside that it must be decreased to very low at the border. Going too high: the maximum relief will not be completely struck, the medal will be without imprint on the highest areas and the medal will be rejected. Therefore we try to cover the other side with a motif that hides it. Inscription circular text in the coin periphery helps to slow the flow of material and prevent flow streaks. When you have the possibility to create both sides you should try to create a low relief motif on one of the sides to obtain higher on the other.
Obverse and reverse should be created to fit each other to avoid maximum relief on the same spot.
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