When the statue was lifted from its pedestal, the ropes broke and it fell, causing the stucco to chip. When the installers inspected the damage, they had the surprise of their lives! They chipped off more of the covering and discovered that underneath the plaster was a glint of gold.
As they removed the rest of the stucco, they discovered a nine foot tall, karat gold Buddha cast in nine parts. Included was a key to disassemble and reassemble the pieces. Photos taken to document the process are on display in the Temple, along with pieces of the stucco. The new building at the Wat Traimit temple. Experts believe the statue was disguised to protect it from Burmese invaders in the mids — a successful ploy, as the figure was ignored and left in the rubble when Ayutthaya was destroyed. Many devout Buddhists revere the discovery at this specific time as a true miracle.
To Buddhists and many others, the Golden Buddha is priceless.
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Marked for Life: A Story of Disguise, Discovery and Redemption
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John subsequently recruited Lawrence, considering him to be his greatest asset. He assisted John in many of his traps since then. The contents of the package Jill left at the hospital in Saw VI was shown to be a video tape intended for Lawrence, in which John instructs him to watch over Jill, and to act on John's behalf if anything was to happen to her.
It is implied that John knew Hoffman would go rogue and stray from his ideals and wanted him to be punished. After Jill is killed by Hoffman, Lawrence fulfills his request by assaulting Hoffman and sealing him in the bathroom from the first film. In Jigsaw , recordings of the character's voice are heard as descriptions of the tests that five victims must face in an abandoned barn.
He appears in person during the final test, confronting its two participants with the truth of their past misdeeds. After loading a double-barreled shotgun with one shell that he describes as "your key to freedom", he leaves the room. It is later revealed that this test took place ten years ago, and that Jigsaw chose one of the five victims to become his first apprentice; the victim was the doctor who accidentally misdiagnosed John's cancer until it was too late to be treated, but when he missed a chance to escape the first trap because he was unconscious, John decided that the man did not deserve to die because of an "honest mistake", and recruited him to be his first apprentice.
The character of John Kramer is also featured in the non-canon comic book Saw: Rebirth , which is set prior to the events of the first film. It filled in some of his history, showing him as a toy designer at Standard Engineering Ltd.
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Saw: Rebirth also reveals John's discovery that he had terminal cancer and outlined how his subsequent suicide attempt impacted his train of thought. His relationships with Dr. Rebirth 's continuity was ultimately contradicted by the backstory presented in Saw IV. Tobin Bell reprises his role as the voice of Jigsaw in the Saw video game.
He is shown on television screens dressed in his signature robes setting up traps for people and preaching his lesson of life appreciation to them. He frequently advises and taunts Detective Tapp as he traverses through an abandoned insane asylum, usually by way of the Billy puppet. Tobin Bell also sold his likeness for the Jigsaw Killer, who actually appears in the game. Jigsaw tests Detective Tapp's estranged son Michael, who is wanting to get to the bottom of his father's death. Jigsaw personally taunts Michael throughout the game, always being out of reach.
Via case files, it is also revealed that he built nearly half of the city explaining his numerous hideouts in the series. He appears to seek the destruction of the drug cartel run by corrupt cops. In the ending, he faces either Michael tempting him into becoming another apprentice or Campbell offering him freedom but forced to lure him into a lethal trap when he tries to attack him.
The producers of the Saw films have fought to differentiate the Jigsaw Killer from other horror film killers. He's not even Hannibal Lecter. He's a person with extreme beliefs and he really thinks he's making a difference. He's a vigilante if anything. He thinks he's making a difference. I think he's a very good judge of character, so his sense that, for example, that Detective Matthews was going to play right into his trap, which he did, was right on.
Now, it seems to me that he's always got a second plan in place. And there's probably been a number of second plans. I mean, we've only seen three movies. Maybe there are six more somewhere where he failed, where something didn't play out". He doesn't view himself as some kind of diabolical psychotic. You know there's a little bit of evil in everyone. It just gets carried further.
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Most of us have some sort of moral fiber that restricts that. Some framework. And then others because of their lives and what happens to them, the thing develops in some other way. Bousman mentioned that Saw III was intended to contain a scene in which Jigsaw showed remorse for his actions after seeing the results of his legacy:.
Jigsaw (Saw character) - Wikipedia
Imagine your entire life's work. You're on your deathbed. You know there's nothing else you can do and here's how you'll be remembered: as a killer, as a murderer. Not as someone who helped people. Not as someone who changed lives. Someone who took away lives. The one thing he didn't want to be and, as he's on his deathbed, he's realizing this. As a result of his cancer and suicide attempt, John decided to dedicate the rest of his life to teaching people to appreciate their own lives. The producers of Saw III and director Darren Lynn Bousman see Jigsaw,  not as a serial killer, but a "scientist" who is determined to initiate the survival instinct in his "subjects", believing that humanity no longer uses its instinct of survival.
While the character's discovery that he has cancer is acknowledged to be the "final straw" that drove him to his actions, Bell has stated in an interview that "His terminal cancer is one of the elements of his life but he's as angry over the fact the world is going to hell in handbasket because it's no longer the survival of the fittest; it's the survival of the mediocre. That drives him as much as anything else.
He doesn't just talk about his frustrations, he does something about them, and he puts himself on the line. His cancer was about one element in about elements that caused him to create the world that he's created. Jigsaw is depicted in the Saw films as being extremely cunning and intelligent. In Saw: Rebirth , he is depicted doing extensive study in multiple fields to gain knowledge for designing his tests, and recurring director Bousman himself has described Jigsaw as being "extremely educated" in an interview. In the series, John usually builds deadly traps for his subjects, which are often a symbolic representation of what Jigsaw perceives as a flaw in the person's life.
John calls these tests "games", and tells the person the "rules" of the game usually by microcasette or video tape. The rules are tasks that the person must perform in order to pass the test and survive; however, the tasks often involve extreme self-mutilation although there have been occasions where it is possible for the subject not to harm him or herself if he or she is bright enough, such as the "Razor Box Trap" in Saw II.
Most of the traps are made of scavenged materials, rusty bolts, decaying iron, or anything else he thinks will help him create a new "game". However, not all of the traps require self-mutilation, as one trap actually required a man Jeff to burn his deceased son's toys to get the key to save the second victim which was psychological torture and therefore forced him to burn the memory of his son to save the victim.
Many of the games involve clocks, counting down timers or other measured time constraints provided to the victims. Jigsaw elaborated in Saw II his appreciation of "time", outlining the importance of savoring every moment. He also stated his belief that telling someone the time in which they may die would awaken an alertness for every moment of existence. Huntley described the intention behind John's actions, and evaluated the extent to which they can be analyzed to fit into the philosophies associated with Deleuze , Darwin , and Nietzsche :.
In Deleuzian terms, it is the potential of life that is at stake It is this that gives Jigsaw's games their Deleuzian tone, the urgent revitalisation of life occasioning new experiences to be learnt and assimilated: such as the perverse, singular and aberrant situation of waking to find a man-trap secured around your neck. There is then the instruction to live or die, to make your choice, to survive the encounter with affect, or the affection-image There is no thrill, sadistic or otherwise, in setting these games; they are throws of the die by the subjects, aleatoric opportunities As Jigsaw makes clear to Detective Matthews during their conversation in Saw II , where Jigsaw's motivation and philosophy are most comprehensively explored, "I've never murdered anyone in my life.
The decisions are up to them. The decisions, the choices, the selection of a potential, are in the hands of the subjects of his games and he only intervenes in order to keep the game within its rules so a decision can be reached. The subjects are faced with a shocking choice that forces them to acknowledge what Deleuze identifies as the virtual — that is, the unacknowledged aspects of our experience with reality. This, in effect, is the particular game that Jigsaw himself plays; one where the organism might be failing but the flow of desire succeeds and endures.
Jigsaw might resort to discussing Darwin's "little trip to the Galapagos Islands" to provide a theoretical underpinning for his project and echo Nietzsche in talking of the will to survive, but this merely misdirects investigators and witnesses in the same way that the gruesome traps and freely flowing gore earn him his unsettling serial killer soubriquet. Jigsaw's games are designed to crack open the world of their respective players: the challenges are nearly always relevant to the subject's lifestyle in a symbolic or literal way, bringing them to painful self awareness, prompting a reappraisal of their squandered potential.
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John intends through these traps to force his victims to prove to him that they are "worthy" and "deserving" to continue living, and also for them to learn to abandon what he perceives to be their vices. He often expressed a desire for his victims to succeed, but stressed that their fate was always in their own hands.
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The video and audio tape instructions for his games often echo this idea: "Live or die. Make your choice. Billy, a puppet, is an icon of the Jigsaw character.
John often used it for the purpose of delivering messages to his victims via a television screen, but at times it has also been physically present with the victims during their tests. He provided the disguised voice for Billy when it delivered its messages. It is shown in Saw IV that the original puppet was created by John Kramer as an intended toy for his unborn son, who died while Cecil Adams was robbing the clinic; Cecil accidentally pushed the door into Jill, which resulted in Gideon's death.
John is shown constructing the more menacing Billy puppet in Saw III for the purpose of its inclusion in his "games". Another of Jigsaw's trademarks is his use of microcassettes to deliver instructions to his victims, disguising his voice as on the Billy videotapes. A flashback in Saw IV reveals that he accomplished this by speaking into a reel-to-reel tape recorder, then slowing down the playback.
Often, a victim would find a microcassette recorder left for him or her with a tape already loaded in, while at other times the tape would be found separately in an envelope marked with the victim's name or the tape on its own reading "Play Me". One tape was found in Jigsaw's stomach during his autopsy at the beginning of Saw IV , coated in wax to protect it against his digestive acids. Both of his apprentices, Amanda Young and Mark Hoffman, eventually began making their own microcassettes, but not always altering their voices as he did. In Saw 3D , Hoffman recorded one set of instructions on a standard-sized cassette, and another on an 8-track tape for use in a car stereo.
Huntley remarked that Jigsaw's voice recordings operated for a specific purpose as part of Jigsaw's M. Huntley stated that it allowed Jigsaw to be present there not as "a participant or even a spectator but instead as a referee, observing the rules pertinent to that particular subject rather than salaciously enjoying the 'victim's agony'.
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